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The work is a reinterpretation of Les Demoiselles d’Avignon by Pablo Picasso. By inverting the gender identity of the protagonists, Agredano implements a hypersexualization of the human body and demystifies the scopophilic logic that lies behind the original painting. Furthermore, it is possible to identify an ironic reference to the conjectured homosexuality of Picasso, also […]

Corps étranger is almost like a journey into Mona Hatoum’s body. Using endoscopic techniques, images of the body’s interior are captured and projected onto the floor within a cylindrical structure featuring two parallel openings. The projector meticulously maps out an enlarged depiction of the human anatomy, beginning from the external features like the eyes and […]

Moctar, a Burkinabé child forced to leave his home and closest friends to join his father who emigrated to Lyon, is unable to adapt to his new life. His anxieties and anxieties materialize in a hyena that chases him, persecuting him wherever he goes. It's not madness; only Paulo, however, understands this and helps him […]